Instigations of Ezra Pound, Together With An Essay On the Chinese Written Character

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"Modern Warning," rejected from collected edition.
1-889. "A London Life." "The Patagonia." "The Patagonia," not a masterpiece. Slow in opening, excellent in parts, but the sense of the finale intrudes all along. It seems true but there is no alternative ending.
One doubts whether a story is really constructed with any mastery when the end, for the purpose of making it a story, is so unescapable. The effect of reality is pro- duced, of course, by the reality of the people in the opening scene;
...there is no doubt about that part being "to the life." "The Liar" is superb in its way, perhaps the best of the allegories, of the plots invented purely to be an expo- sition of impression. It is magnificent in its presenta- tion of the people, both the old man and the Liar, who is masterly.
"Mrs. Temperly" is another such excellent delineation and shows James as an excellent hater, but G. S. Street expresses a concentration of annoyance with a greater polish and suavity in method ; and neither explains, theorizes, nor comments.


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