Interpretation in Song
The book Interpretation in Song was written by author Here you can read free online of Interpretation in Song book, rate and share your impressions in comments. If you don't know what to write, just answer the question: Why is Interpretation in Song a good or bad book?
Where can I read Interpretation in Song for free?
In our eReader you can find the full English version of the book. Read Interpretation in Song Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book Interpretation in Song
In our eReader you can find the full English version of the book. Read Interpretation in Song Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book Interpretation in Song
What reading level is Interpretation in Song book?
To quickly assess the difficulty of the text, read a short excerpt:
moan = morn, coat = caught, close = claws, snow = snaw.
rose = rawz.
moon ^murn.
juice = jawce.
coot = coat.
Etc., etc.
The "ee" and "oo" compromises are sounds almost impossible to express on paper. The above are about as near as one can get. (These two close vowels, being particularly effective with basses and baritones, are treated by them with respect.) When any of them are followed by "1," an additional curl of the tongue, involving an added vowel, is given, making the pure vowel into a ho...rrible diphthong, such as all = aw-url.
holy = haw-early, soul = saw-url.
almost = aw-url-morst.
dwell = dway-url.
tell := tay-url.
creel = cree-url.
cool = coo-url.
self = sair-lurf .
(In musical comedy, say-url-urf-a.) fuU = foo-url.
Ete.i In this basses and baritones are by far the worst offenders. As no British ballad is complete without either a "love" or a "rose" or a "soul" in it, the purist who listens to it is assured of at least one black eye, generally followed up by severe punishment all round; if he is wise he will leave the ring early.
What to read after Interpretation in Song?
You can find similar books in the "Read Also" column, or choose other free books by Greene, Harry Plunket, 1865-1936 to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
moan = morn, coat = caught, close = claws, snow = snaw.
rose = rawz.
moon ^murn.
juice = jawce.
coot = coat.
Etc., etc.
The "ee" and "oo" compromises are sounds almost impossible to express on paper. The above are about as near as one can get. (These two close vowels, being particularly effective with basses and baritones, are treated by them with respect.) When any of them are followed by "1," an additional curl of the tongue, involving an added vowel, is given, making the pure vowel into a ho...rrible diphthong, such as all = aw-url.
holy = haw-early, soul = saw-url.
almost = aw-url-morst.
dwell = dway-url.
tell := tay-url.
creel = cree-url.
cool = coo-url.
self = sair-lurf .
(In musical comedy, say-url-urf-a.) fuU = foo-url.
Ete.i In this basses and baritones are by far the worst offenders. As no British ballad is complete without either a "love" or a "rose" or a "soul" in it, the purist who listens to it is assured of at least one black eye, generally followed up by severe punishment all round; if he is wise he will leave the ring early.
What to read after Interpretation in Song?
You can find similar books in the "Read Also" column, or choose other free books by Greene, Harry Plunket, 1865-1936 to read onlineMoreLess
Write Review:
User Reviews: