Introduction to Modern French Lyrics

Cover Introduction to Modern French Lyrics
Introduction to Modern French Lyrics
Charlotte Murdoch Tait Wake
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La Carmagnole, p. 10.
4. Rhyme, while appealing to the ear, must also to a certain extent appeal to the eye ; there must be a certain correspondence of written form. Thus such combinations as clou and vous, abri and nid, ai and nez, bleu and peux are not allowed to rhyme. But words ending in the different sibilants, as nceuds : vceux (p. 6, 1. 18, 20), or in dentals, as re~pond : pont, etc. , may rhyme together. And words of like form but different meaning rhyme perfectly together, as pas (step
...) and pas (not), la tombe and il tombe. Cf, the F. Nglish, where the same thing is not allowed.
5. 'Sufficient rhyme' {rime sujfisante) exists when different con- sonants precede the rhyming terminations, as soil : canon. ' Rich rhyme' (rime ricke) arises when entire syllables with their initial con- sonants rhyme together, as humain : main. Rhymes which extend back over more than one syllable are called doubles or suraboiidantes. Rimes plates are consecutive rhymes, the first two lines masculine, the next two feminine, and so on.


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