James O'neill 1942 20

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Tlie season of 1880 began for OUTeill v;ith Man and Wife at the Baldwin on January 20, This play from V/llkie Collins' novel was the vehicle Clara Morris chose for her return ap- pearance in San Francisco, an engagement in which she was starred a second time with 0»Neill. The Argonaut did not blame O'Neill for his bad performance; '■'l do not think James O'Neill v;ould ever play Geoffrey Delamayan from choice. It is nothing detri- mental to his general ezcellence that he cannot act it. Physical
... attributes are necessary, of a kind so thoroughly unsuited to the generality of parts that it is \/ell for him that he does not possess them." Clara Morris was not a^pearint;; in any play that offered a leading man an opportunity to shine. Her next production, Camille , which opened on January 27, provided her with the role of a priraa donna, C_aiialle was a strong draught ,in the 1880' s, too strong for the tender stomach of The Argonaut , Y/hoce critic lashed it in the i^^suo of January 31 v/ith nearly as much heat as ho devoted to The Passion; "But Camille should have been buried v/ith its au- thor's father J it is a disgusting play, without morale, without reality, and, what is far v/orse, unfit for polite ears, unpleasant to a pure and refined mind, and n/f f\pf^_rT' 1 84 absolutely dangerous to the young and unsophisticated spectator .

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