Johann Sebastian Bach, His Work And Influence On the Music of Germany, 1685-1750
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To quickly assess the difficulty of the text, read a short excerpt:
That Bach, who was already a distinguished artist, should not have ventured to make Buxtehude's acquaintance, while Handel two years previously had boldly gone to work on his organ and brought him pupils from all sides, has really no sense.
"" Gerber, N. L. I., col. 590, gives a list of Buxtehude's printed works, and inac- curately quotes MoUer's Cimbria Litterata as the authority, for he has combined with it the notices by Walther (Lex., p. 123) and Mattheson. Moller's list runs as 264 JOHANN ...SEBASTIAN BACH.
Buxtehude's chief strength lay in clavier music, and lamented that "little or nothing" of his in that line had been printed.
Thus even he knew of none in print. It is therefore doubtful whether a collection of seven Suites for clavier, of which the existence is announced, ever were distributed, excepting in written copies. At the same time, it was almost exclusively to these Suites, now lost, that Buxtehude owed the circum- stance that even in later times he was now and then spoken of as a composer.
What to read after Johann Sebastian Bach, His Work And Influence On the Music of Germany, 1685-1750?
You can find similar books in the "Read Also" column, or choose other free books by Fuller-Maitland, J. A. (John Alexander), 1856-1936 to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
That Bach, who was already a distinguished artist, should not have ventured to make Buxtehude's acquaintance, while Handel two years previously had boldly gone to work on his organ and brought him pupils from all sides, has really no sense.
"" Gerber, N. L. I., col. 590, gives a list of Buxtehude's printed works, and inac- curately quotes MoUer's Cimbria Litterata as the authority, for he has combined with it the notices by Walther (Lex., p. 123) and Mattheson. Moller's list runs as 264 JOHANN ...SEBASTIAN BACH.
Buxtehude's chief strength lay in clavier music, and lamented that "little or nothing" of his in that line had been printed.
Thus even he knew of none in print. It is therefore doubtful whether a collection of seven Suites for clavier, of which the existence is announced, ever were distributed, excepting in written copies. At the same time, it was almost exclusively to these Suites, now lost, that Buxtehude owed the circum- stance that even in later times he was now and then spoken of as a composer.
What to read after Johann Sebastian Bach, His Work And Influence On the Music of Germany, 1685-1750?
You can find similar books in the "Read Also" column, or choose other free books by Fuller-Maitland, J. A. (John Alexander), 1856-1936 to read onlineMoreLess
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