Kurt Herbert Adler And the San Francisco Opera Oral History Transcripts 1994

Cover Kurt Herbert Adler And the San Francisco Opera Oral History Transcripts 1994
Kurt Herbert Adler And the San Francisco Opera Oral History Transcripts 1994
Kurt Herbert Ive Adler
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Crawford: So essentially we're talking about three orchestras.
Matheson: Yes. The current opera contract endeavors to incorporate the two orchestras together for use in the opera house. I don't know if anything hai effectively been dene y*t, I haven't 247 anything about that, contract. ) (As of 1990, the clause is out of the Crawford: How was the opera position made tempting to the symphony players?
Matheson: Well, it's sort of like a gas tank empty or half -empty or the gas tank half full. Apa
...rt from the opera season itself, you'd have quite a bit of flexibility in terms of what to do with your time. If you're working so hard for three months it amounts to, you know, more than three months worth of income, as far as the fall is concerned. And if you have the American Ballet Theater and the summer season, that added up to a nice substantial solid foundation with which you could do other things.
So if you were one of the thirty- five players that had not been in the symphony but were in the opera orchestra, it was a great expansion; it was almost double the wages that had been involved before.


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