Lessons in Harmony
Lessons in Harmony
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The chords of the seventh which still remain unused in these lessons are shown in No. 72. A. In major.
72.
III' 7 iv 7 VI 7 58 Not all of this material is practical for our present use. In fact with the exception of a brief general view of these chords they may well be left until a study of the suspen- sions, passing tones and passing chords gives the pupil a maturer view.
In some works it is pointed out that all chords of the seventh have the, so-called, cadencing resolution to the chord dtuat...ed a fourth higher, just as the dominant sev- enth resolves, or cadences, to the tonic harmony, and the supertotic, to the dominant. This is, however, only par- tially true.
REMAINING SEVENTH CHORDS IN MAJOR. In the major key the chords, in 7 and vi 7, take readily this cadencing resolution, since their sevenths are minor, but I 7 and IV 7, containing, as they do, the harsh major seventh, are less manageable and generally need the sup- port of a sequence to make them satisfactory if they are to cadence in this way.
What to read after Lessons in Harmony?
You can find similar books in the "Read Also" column, or choose other free books by Arthur Edward Heacox to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
The chords of the seventh which still remain unused in these lessons are shown in No. 72. A. In major.
72.
III' 7 iv 7 VI 7 58 Not all of this material is practical for our present use. In fact with the exception of a brief general view of these chords they may well be left until a study of the suspen- sions, passing tones and passing chords gives the pupil a maturer view.
In some works it is pointed out that all chords of the seventh have the, so-called, cadencing resolution to the chord dtuat...ed a fourth higher, just as the dominant sev- enth resolves, or cadences, to the tonic harmony, and the supertotic, to the dominant. This is, however, only par- tially true.
REMAINING SEVENTH CHORDS IN MAJOR. In the major key the chords, in 7 and vi 7, take readily this cadencing resolution, since their sevenths are minor, but I 7 and IV 7, containing, as they do, the harsh major seventh, are less manageable and generally need the sup- port of a sequence to make them satisfactory if they are to cadence in this way.
What to read after Lessons in Harmony?
You can find similar books in the "Read Also" column, or choose other free books by Arthur Edward Heacox to read onlineMoreLess
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