Lessons in Music Form; a Manual of Analysis of All the Structural Factors And Designs Employed in Musical Composition

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29 ; still more apparently at the beginning of No. 28, No. 41, and others.
« « « Inherent Irregularity. — Finally, — there exists another, third, condition, besides those mentioned at the head of this chapter, whereby a phrase may assume an irregular dimension ; not by doubling or dividing its length (as in the large and small phrases) nor by the processes of extension, — but by an arbitrary and apparently incalculable act of melodic liberty ^ — by allowing the melody to choose its own time for
... the cadential interruption.
This comparatively rare occurrence is illustrated in Ex. 17, No. i (five-measure phrase), and Ex. 17, No. 2, second phrase (six measures long). It is true that in each of these cases the " extra *' measures might be accounted for as "extension by modified repe- tition," — for instance, in No. i XhQ second measure might be called a reproduction (or extension) of the first measure. But cases will be encountered where a phrase of three, five, six, or seven meas- ures will admit of no such analysis.


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