Louis Van Beethoven's Studies in Thorough-Bass, Counterpoint And the Art of Scientific Composition, Collected From the Authograph [!] Posthumous Manuscripts of the Great Composer, And First Published, Together With Biological Notices

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5. 6. 7. 8. 9. 10.
+ + + To obtain the possibility of this inversion , without breaking the laws of harmony , the following rules must be observed : 1) Two Thirds, Sixths, or Tenths are not to appear in motu recto, be- cause they would change themselves , as the above schedule shews , into Octaves , Fifths , and Unisons.
2) The bind of the Second must in no case be prepared by a Third, because that would give rise to consecutive Octaves, viz: 3, 2, 3 = 8, 9, 8.
3) The bind of the Fourth is not
...well applied to the upper part, be- cause it would produce a false resolution below : 7,8; in the lower part it may be advantageously used, when resolved into the Fifth, because it pro- duces 7, 6. above, (by inversion.) 258 THIRD SECTION.
4) The Fifth in motu recto is allowed in the free style , because it be- comes a Sixth by inversion.
5) Sixths that change into pure Fifths are allowed in motu recto.
6) The Seventh may be used a due both as a bind and in the regular transitus , but only as the Decima in a tre.


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