M Or N Similia Similibus Curantur 8 5

Cover M Or N Similia Similibus Curantur 8 5
M Or N Similia Similibus Curantur 8 5
Whyte-Melville G.J.
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Mannerism, Stanmore--mannerism is the great enemy of art. Now, I'll explain what I mean in two words. In the first place, you observethe light from that chink streaming down on my imp's back; well, in thepicture, you know--" "Where _is_ the picture?" exclaimed Dick, whose cigar was finished, and who had no scruples in thus unceremoniously interrupting aprofessional lecture which previous experience told him might bewearisome. "Let's see it. Let's see _all_ the pictures. Illustration'sbetter tha...n argument, and I can't understand anything unless it's setbefore me in bright colours, under my very nose. " Good-natured Simon desisted from his occupation at once, and beganlifting picture after picture, as they stood in layers against thewall, to place them in a favourable light for the inspection ofhis friend. Many and discursive were his criticisms on these, theprogressive results of eye, and hand, and brain, improving everyday. Here the drawing was faulty, there the tints were coarse. Thisbetrayed mannerism, that lacked power, and in a very ambitiouslandscape, enriched with wood, water, and mountain, a patchy skyspoiled the effect of the whole.

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