Mediaeval Music: An Historical Sketch
The book Mediaeval Music: An Historical Sketch was written by author Here you can read free online of Mediaeval Music: An Historical Sketch book, rate and share your impressions in comments. If you don't know what to write, just answer the question: Why is Mediaeval Music: An Historical Sketch a good or bad book?
Where can I read Mediaeval Music: An Historical Sketch for free?
In our eReader you can find the full English version of the book. Read Mediaeval Music: An Historical Sketch Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book Mediaeval Music: An Historical Sketch
In our eReader you can find the full English version of the book. Read Mediaeval Music: An Historical Sketch Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book Mediaeval Music: An Historical Sketch
What reading level is Mediaeval Music: An Historical Sketch book?
To quickly assess the difficulty of the text, read a short excerpt:
SiH * Codex S. Gallensis, 546.
f ' Ars Musica Mensurabili ;' Bod. Lib.
% Ibid., chap. iv.
1 1 6 Mediasval Music Triple time, as emblematical of the Blessed Trinity, was ' perfect '; common time, ' im- perfect.'* Perfect.
A perfect large = three longs = nine breves = twenty-seven semibreves.
A perfect long = three breves = nine semibreves.
A perfect breve = three semibreves.
Imperfect.
An imperfect large = two longs = four breves = eight semibreves.
An imperfect long = two breves = four semi- br...eves.
An imperfect breve = two semibreves.
The semibreve being the lowest sign, and of the smallest value, could not be divided, nor could the large when used in the tenor of a cantus firmus.
A. Any single note, or any three of the same denomination, or their equivalents in im- mediate succession, were perfect, and retained their full value — equivalents count- ing as notes.
B. Two or more larges, longs, or three semi- breves in succession, were always perfect, and retained their full value each, of three notes of the next in order.
What to read after Mediaeval Music: An Historical Sketch?
You can find similar books in the "Read Also" column, or choose other free books by Hope, Robert Charles, 1855-1926 to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
SiH * Codex S. Gallensis, 546.
f ' Ars Musica Mensurabili ;' Bod. Lib.
% Ibid., chap. iv.
1 1 6 Mediasval Music Triple time, as emblematical of the Blessed Trinity, was ' perfect '; common time, ' im- perfect.'* Perfect.
A perfect large = three longs = nine breves = twenty-seven semibreves.
A perfect long = three breves = nine semibreves.
A perfect breve = three semibreves.
Imperfect.
An imperfect large = two longs = four breves = eight semibreves.
An imperfect long = two breves = four semi- br...eves.
An imperfect breve = two semibreves.
The semibreve being the lowest sign, and of the smallest value, could not be divided, nor could the large when used in the tenor of a cantus firmus.
A. Any single note, or any three of the same denomination, or their equivalents in im- mediate succession, were perfect, and retained their full value — equivalents count- ing as notes.
B. Two or more larges, longs, or three semi- breves in succession, were always perfect, and retained their full value each, of three notes of the next in order.
What to read after Mediaeval Music: An Historical Sketch?
You can find similar books in the "Read Also" column, or choose other free books by Hope, Robert Charles, 1855-1926 to read onlineMoreLess
10
Tokens
Write Review:
Guest
Read Also
10 / 10
User Reviews: