Modern English Essays volume 3

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Modern English Essays volume 3
Rhys Ernest
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Inasmuch as he is an eye-witness of the dramatic action, he gives to it the authenticity of direct testimony. Through him the narrative gains a commonplace dTrar?/ such as is beyond the scope of the scattered forces of the historic form, howsoever powerfully handled. By the first-hand testimony of the eye-witness Frank Osbaldistone in Scott's fascinating novel, the more active characters, those who really control the main issue, Di Vernon, Rashleigh Osbaldistone, Rob, and Bailie Nicol Jarvie, a...re painted in much more vivid and much more authentic colours than the method of the historic form would allow.
It is in the nature of things that this kind of autobiographic fiction, howsoever strong may be the incidents, is not nearly so absorbing as is the other kind I am going to instance, the psycho- logical, to which Lavengro and The Romany Rye belong; for in literature, as in life, the more interest we feel in the character, the more interest we feel in what befalls the character. Unlike the kind of 131 THEODORE WATTS-DUNTON autobiographic fiction typified by Rob Roy, in which, as I have said, the main issue is Httle influenced and not at all controlled by the narrator but by other characters, or, if not by other characters, by the wheels of circumstance; — in the psychological kind of autobiographic fiction, the personality of the narrator controls, or largely controls, the main issue of the dramatic action.


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