Music And Its Masters : a Conversation

Cover Music And Its Masters : a Conversation
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With that, however, it is to be re- membered that his pianoforte is the orchestral- pianoforte, not only in the sense of power, but also in the variety of tone-colour ; and his orchestra the pianoforte-orchestra, for his orchestral compo- sitions sound like pianoforte compositions set for orchestra. All in all, I see in Berlioz, Wagner, and Liszt the virtuoso-composers, and would be glad to believe that their " breaking all bounds " may be an advantage to the coming genius. In the sense, how- 8...0 A Conversation on Music.
ever, of specifically musical creation, I can recognise none of them as a composer. In addition to all I have noticed so far, all three of them are wanting in the chief charm of creation : the naive — that stamp of geniality, and at the same time proof that the genius after all is but a human being.
Their influence on the composers of the day is great, but, as I believe, of unhealthy kind. It is not uninteresting to observe in this particular, of which of them, and where, the influence is greater.


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