Musical Form

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3.
£M J' l3^Fti-T ^ S = n eJ7 *=3^^ fts^TJI \ 1 M =y=^ \^=4 (2) r^^^^^ T^^'^T^ ^^ii^ ir m. •■■J W:Mj| -1 i!-, f-f ^ : 1 : ■ — if 1 ^ 'Til —^^3=^-^==^-- bJT^ (6) (8) (8a) We have chosen this little melody as one of the shortest examples we can find of a complete piece in regular binary form. Like the little song by Schumann given in § 200, it contains only eight bars ; but whereas that example consisted of only one sentence, we have here two, each four bars in length, and divided into phrases of
... two bars — or, to speak more accurately, the first sentence divided into two phrases, and the second less clearly divided. This is a parallel case to that which we saw in the seventh chapter (§ 201) with respect to a single sentence. The I time here is really f , containing two accents in the bar ; each ' four-bar sentence therefore has the usual number of accents. The last two bars are the concluding symphony to the song, and furnish an example of the repeated and varied cadence.

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