Musical Groundwork a Short Course of Aural Training
Musical Groundwork a Short Course of Aural Training
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In our eReader you can find the full English version of the book. Read Musical Groundwork a Short Course of Aural Training Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book Musical Groundwork a Short Course of Aural Training
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Dictation. Two-part. Key G. |.
LESSONS 5-IO 55 Lesson 8 B. Recoornition of common chords and inversions, major and minor.
C. Miscellaneous.
1. The i"Tj group, with one quaver broken into two semiquavers. J ^ j^ Ta-te-ti-fi. J '" J-j J Ta-te-fe-ti. J^^-j^ Tafa-te-ti.
2. Other varieties of the three-quaver group. J ^ Ta- e-ti-fi. S^TT^ Ta-e-fe-ti-fi. J j^ ^ Ta-t^-f6-ti-fi.
I I. 5 Ta-te-i-fi.
3. Hi. (The * Scotch Snap ' doubled in value. ) Ta-te- aa.
F. Variations (continued).
Modern composers, fr...om Beethoven onwards, are apt to take some salient feature of the theme, and develop that. Examples. Schumann, ' Etudes Symphoniques '.
Brahms, ' Variations and Fugue on a Theme of Handel '.
Lesson 9 B. Recognition of Cadences in a composition.
Dictation. Key A minor. |. F. Continue the previous lesson.
Lesson 10 B. Recognition of modulations in a composition, using either ' technical ' or alphabetical names for the keys. F. Variations (continued). Continue Lesson 8 of this Term, or, if time permits, explain the meaning of I.
What to read after Musical Groundwork a Short Course of Aural Training?
You can find similar books in the "Read Also" column, or choose other free books by Frank Henry Shera to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
Dictation. Two-part. Key G. |.
LESSONS 5-IO 55 Lesson 8 B. Recoornition of common chords and inversions, major and minor.
C. Miscellaneous.
1. The i"Tj group, with one quaver broken into two semiquavers. J ^ j^ Ta-te-ti-fi. J '" J-j J Ta-te-fe-ti. J^^-j^ Tafa-te-ti.
2. Other varieties of the three-quaver group. J ^ Ta- e-ti-fi. S^TT^ Ta-e-fe-ti-fi. J j^ ^ Ta-t^-f6-ti-fi.
I I. 5 Ta-te-i-fi.
3. Hi. (The * Scotch Snap ' doubled in value. ) Ta-te- aa.
F. Variations (continued).
Modern composers, fr...om Beethoven onwards, are apt to take some salient feature of the theme, and develop that. Examples. Schumann, ' Etudes Symphoniques '.
Brahms, ' Variations and Fugue on a Theme of Handel '.
Lesson 9 B. Recognition of Cadences in a composition.
Dictation. Key A minor. |. F. Continue the previous lesson.
Lesson 10 B. Recognition of modulations in a composition, using either ' technical ' or alphabetical names for the keys. F. Variations (continued). Continue Lesson 8 of this Term, or, if time permits, explain the meaning of I.
What to read after Musical Groundwork a Short Course of Aural Training?
You can find similar books in the "Read Also" column, or choose other free books by Frank Henry Shera to read onlineMoreLess
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