Musical Interpretation, Its Laws And Principles, And Their Application in Teaching And Performing
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In our eReader you can find the full English version of the book. Read Musical Interpretation, Its Laws And Principles, And Their Application in Teaching And Performing Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book Musical Interpretation, Its Laws And Principles, And Their Application in Teaching And Performing
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To quickly assess the difficulty of the text, read a short excerpt:
Otherwise, in place of a beautifully curved effect (the very purpose of Rubato) we shall have time-spikes (notes actually out of time) sticking out all over our performance — spikes just as uncomfortable as physical spikes.^ For instance, I have 1 See Notes, pp. 72 and 74.
THE ELEMENT OF RXJBATO 105 heard quite a good artist-pupil play the opening phrase of Chopin's Nocturne in G in such spike-rubato fashion in her attempts to supply the something felt to be necessary.
I will show you the fault... and its correction:^ Example 67.
a) Incorrect: /?\Jemi>o.jUlo...„ C\.te7npo.Allo..r\tempo..
h) Correct Ruhaf a To make such a mistake seems absurd enough, but it really was a most honest endeavor, made by a thoroughly earnest and in many ways experienced musician and teacher.
It arose from the fact that she had not been allowed to apply Rubato when she was a young student, and could easily have learnt its true application; but her teachers had discountenanced such supposed frivohties — because they knew not how to teach Rubato.
What to read after Musical Interpretation, Its Laws And Principles, And Their Application in Teaching And Performing?
You can find similar books in the "Read Also" column, or choose other free books by Tobias. Matthay to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
Otherwise, in place of a beautifully curved effect (the very purpose of Rubato) we shall have time-spikes (notes actually out of time) sticking out all over our performance — spikes just as uncomfortable as physical spikes.^ For instance, I have 1 See Notes, pp. 72 and 74.
THE ELEMENT OF RXJBATO 105 heard quite a good artist-pupil play the opening phrase of Chopin's Nocturne in G in such spike-rubato fashion in her attempts to supply the something felt to be necessary.
I will show you the fault... and its correction:^ Example 67.
a) Incorrect: /?\Jemi>o.jUlo...„ C\.te7npo.Allo..r\tempo..
h) Correct Ruhaf a To make such a mistake seems absurd enough, but it really was a most honest endeavor, made by a thoroughly earnest and in many ways experienced musician and teacher.
It arose from the fact that she had not been allowed to apply Rubato when she was a young student, and could easily have learnt its true application; but her teachers had discountenanced such supposed frivohties — because they knew not how to teach Rubato.
What to read after Musical Interpretation, Its Laws And Principles, And Their Application in Teaching And Performing?
You can find similar books in the "Read Also" column, or choose other free books by Tobias. Matthay to read onlineMoreLess
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