Musical Studies

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Let us say it is the death of a fi-iend. Here is a much more definite impulse than was acting upon the other man ; and it accordingly leads to a more definite expression. The curve the melody takes is now determined not merely by the musical pleasure it gives by going this way or that, but primarily by the need to make the melody representative of a definite feeling, or suggestive of the being or the event that aroused the feeling. This man is at the turn of the road that leads to poetical musi
...c — to the song, the opera, and the symphonic poem. (I do not allege, let me say again, that there is an absolute line of demarcation between absolute music and poetic music, or between the states of mind from which they flow ; the two are always crossing and re-crossing into each other's territory. I am simply throwing into high relief the element in each that gives it its peculiar significance.) In absolute music, as Wagner pointed out, the essen- tial thing is "the arousing of pleasure in beautiful forms." In poetic music the essential thing is the veracious rendering in tone of an emotion that is as definite as the other is indefinite.

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