Natural Laws in Piano Teaching
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Same as at b, but with the iifth finger.
d. Chromatic scale in sixths ^'°' ^''' from the elbow. Keep the hand always arched, with relaxation of the fingers which are not being used. (Fig. 63.) To avoid blurring with the unused fingers, however, the fingers may be slightly extended. (Fig. 64.) e. Chromatic scale in oc- taves.
/. Diminished seventh ar- peggi in octaves.
Practice the exercises in Section VI also from the wrist.
Stay on one key until ready to play the next key, then throw the hand ...from the wrist quickly, keeping it well arched and the span unchanged, moving at the same time the forearm into position over its next key. As the hand does not remain in the air these motions must be simultaneous.
Fig. 64.
natural laws in piano technic. 85 Section VTI. — Octaves from the Wrist.
a. Vibrato. — Relax the muscles of the forearm allowing the hand to hang from the wrist. All playing effort must be made with the two powerful muscles of the upper arm, while the hand is allowed to vibrate freely.
What to read after Natural Laws in Piano Teaching?
You can find similar books in the "Read Also" column, or choose other free books by Chase, Mary Wood to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
Same as at b, but with the iifth finger.
d. Chromatic scale in sixths ^'°' ^''' from the elbow. Keep the hand always arched, with relaxation of the fingers which are not being used. (Fig. 63.) To avoid blurring with the unused fingers, however, the fingers may be slightly extended. (Fig. 64.) e. Chromatic scale in oc- taves.
/. Diminished seventh ar- peggi in octaves.
Practice the exercises in Section VI also from the wrist.
Stay on one key until ready to play the next key, then throw the hand ...from the wrist quickly, keeping it well arched and the span unchanged, moving at the same time the forearm into position over its next key. As the hand does not remain in the air these motions must be simultaneous.
Fig. 64.
natural laws in piano technic. 85 Section VTI. — Octaves from the Wrist.
a. Vibrato. — Relax the muscles of the forearm allowing the hand to hang from the wrist. All playing effort must be made with the two powerful muscles of the upper arm, while the hand is allowed to vibrate freely.
What to read after Natural Laws in Piano Teaching?
You can find similar books in the "Read Also" column, or choose other free books by Chase, Mary Wood to read onlineMoreLess
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