Naturalistic Photography for Students of the Art

Cover Naturalistic Photography for Students of the Art
Naturalistic Photography for Students of the Art
P H Peter Henry Emerson
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They have perfected Talbot's and Evrard's work, and though they have numerous imitators, their work is facile princeps. Paper Now the student will naturally expect us to give an es ' opinion on these paper negatives. For many photo- graphic processes they are of course invaluable, but for artistic work our opinion is that they are not equal to the ordinary method. These remarks apply equally to Development. 1 8 1 the various flexible films which have lately been intro- duced.
For hand cameras,
...we should think, film negatives would be very useful, and for small studies such as they produce, would do well ; but then such are not pictures. A picture must be perfect in all points, and for this reason the films will not as yet answer. They do show grain, say what people will ; we have examined dozens of the very best, and that is our opinion. Besides this, they are liable to the defects common to paper, such as transparent spots, and the defects common to films, such as markings and stains, and in addition to all this there is the liability to injury of the nega- tive after development, in the subsequent processes of oiling and stripping, if stripping films be used.

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