Newfoundland to Cochin China By the Golden Wave New Nippon And the Forbidden C

Cover Newfoundland to Cochin China By the Golden Wave New Nippon And the Forbidden C
Newfoundland to Cochin China By the Golden Wave New Nippon And the Forbidden C
Ethel Gwendoline Moffatt Vincent
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It seems such a familiar friend now, this cone of Fuji, for we have seen it depicted upon numberless scrolls and screens, on tea services and china plaques, on cloisonne and lacquer, since we came to Japan.
This view of Fuji is superb. The mountains break away and leave a vast plain, out of which it sweeps up solitary, colossal. The crater at the top looks like the jagged edges of a tooth, down which streams of lava have streaked their course. And as we follow the sweeping lines of the great py
...ramid up 13, 000 feet of height, the Neiv Nippon. 1 75 clouds that lay half-way down, roll away. Only a few fleecy ones float ethereally along the summit, whilst the Sacred Mountain, deep purple pink^ stands revealed in all the glory of a sunset evening, against a pale primrose sky, deepening into lilac overhead. Then we realize whence the Japanese acquire their idea of colour. Their artists are only reproducing the realities of nature as constantly present to them in the halftones of their island sky and sea, and it is from such sunsets as these that they faithfully copy the translucent shades of rose-pink, grey-blue, lilac and apple-green, that form the background of those beautiful cloisonne plaques and china vases.

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