On the Performance of Beethoven's Symphonies
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In our eReader you can find the full English version of the book. Read On the Performance of Beethoven's Symphonies Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book On the Performance of Beethoven's Symphonies
What reading level is On the Performance of Beethoven's Symphonies book?
To quickly assess the difficulty of the text, read a short excerpt:
Page 16, bars 2 and 4. The trill should be taken with- 88 SIXTH SYMPHONY.
out grace-note to the second crotchet of the last bar; it stops there, so that this crotchet is played -^» — i E^ simply, without shake.
Page 1 6, bars 17 — 19. Second violins and violas come in here as a repeating continuation of the clarinets and bassoons. The following notation is therefore a suitable one: i^ *—X- (p)- Page 19, bar 12. See page 6, bar 23.
Page 22, bars 11 and following. The whole passage would be robbe...d of its character if it were to be hurried. The first time, taken in an easy manner, should be the standard to the end of the movement.
Page 26. The second violins, the violas and the two muted violoncellos are apt to sound too loud in all the passages where they have figurations. The conductor should see that these instruments only form a background which brings into relief the tender light-pictures of the melodic parts. Great care must be taken not to let the time drag. The metro- nome-mark J = 50 is all that can be desired.
What to read after On the Performance of Beethoven's Symphonies?
You can find similar books in the "Read Also" column, or choose other free books by Felix Weingartner to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
Page 16, bars 2 and 4. The trill should be taken with- 88 SIXTH SYMPHONY.
out grace-note to the second crotchet of the last bar; it stops there, so that this crotchet is played -^» — i E^ simply, without shake.
Page 1 6, bars 17 — 19. Second violins and violas come in here as a repeating continuation of the clarinets and bassoons. The following notation is therefore a suitable one: i^ *—X- (p)- Page 19, bar 12. See page 6, bar 23.
Page 22, bars 11 and following. The whole passage would be robbe...d of its character if it were to be hurried. The first time, taken in an easy manner, should be the standard to the end of the movement.
Page 26. The second violins, the violas and the two muted violoncellos are apt to sound too loud in all the passages where they have figurations. The conductor should see that these instruments only form a background which brings into relief the tender light-pictures of the melodic parts. Great care must be taken not to let the time drag. The metro- nome-mark J = 50 is all that can be desired.
What to read after On the Performance of Beethoven's Symphonies?
You can find similar books in the "Read Also" column, or choose other free books by Felix Weingartner to read onlineMoreLess
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