Operas of Peter Cornelius: a Rationale for Inclusion in the Higher Level Music Curriculum

Cover Operas of Peter Cornelius: a Rationale for Inclusion in the Higher Level Music Curriculum
Operas of Peter Cornelius: a Rationale for Inclusion in the Higher Level Music Curriculum
Lawton, Orville Timothy
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Act 1, Scene 10, Measures 82-89.
Per Barbier von Bagdad . Cornelius, 1904, p. 117 133 The special effect is created by the use of chromaticism, the harmonic minor, and the unusual intervals such as the augmented second. (See Figure 40.) Continuing the exotic atmosphere, Cornelius introduces a second theme, again in the bassoons, and then follows an inversion of the first theme.
(See Figures 41a and 41b.) The musical exoticism is appropriately reflected here by the fact that it is the hour of pr
...ayer. Presented is an amazingly strong contrast between the comical in the first act and the religious opening of the second act.
Zwischenakt Lento Figure 40. Per Barbier . Entracte, Act 2, Measures 1-6. Per Barbier von Bagdad , Cornelius, 1904, p. 118.
134 Figure 41. Second Theme and Inversion.
a. Per Barbier . Entracte, Act 2, Measures 7-9 Per Barbier von Bagdad . Cornelius, 1904, p. 118.
b. Der Barbier . Entracte, Act 2, Measures 10-12 ner Barbier von Bagdad . Cornelius, 1904, p. 118.
The lively second section of the Intermezzo leads the way to the first scene.


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