Orchestral Wind Instruments, Ancient And Modern : Being An Account of the Origin And Evolution of Wind Instruments From the Earliest to the Most Recent Times

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When played pianissimo, in minor .and broken chords, it expresses the most hope- less gloom and sadness — no better example of such use could be quoted than a passage for three trombones and tuba at the end of Tchaikovsky's Sixth Symphony. When used in unison or harmony in .a slow mezzo-forte movement, the tone of the trombone assumes a deeply religious character, while in double forte passages, especi- * In the normal instrument, when it comes to length of tubing involved, am error -in slide e...xtension is necessarily doubled; with the double slide, it is qiiadrupled.
pS ORCHESTRAL WIND INSTRUMENTS.
ally in the middle register, it is superbly noble and arresting. It is with this tone of proclamation and lofty grandeur that one real- ises the inner truth of the name trombone — -a big trumpet. When played fortissimo the tone is fearful and menacing : it speaks with an air of wild and passionate tragedy quite unobtainable on any other instrument save the human voice.
After the periods of transition both in structural design and in playing through which the trombone has passed, it is interesting to observe the return to ancient standards that has come about during recent years.


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