Organ-Stops And Their Artistic Registration; Names, Forms, Construction, Tonalities, And Offices in Scientific Combination
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Span. Lleno. — The generic name for all *In our tonal scheme for the Concert-room Organ, the Melodia, 8 ft., is placed in the Ancillary Afirial Organ, where it speaks on wind of i]^ inches. It is, accordingly, available for registration purposes on any manual clavier. See " The Organ of the Twentieth Century." Pages 329 and 33 1- THEIR ARTISTIC REGISTRATION 187 compound harmonic-corroborating stops, applied generally to such stops as are composed of octave- and fifth-sounding ranks of ordi- nar...y open metal labial pipes, and to such compound stops as do not call for any special name indicative of peculiar composition, forma- tion, or intonation. The Mixture may be composed of two or more ranks of pipes, according to the tonal structure or appoint- ment of the division of the Organ in which it is placed. The different pitches of the separate ranks and their breaks are dictated by that tonal structure, and the number and nature of the single harmonic- corroborating stops that are included in the divisional appointment.
What to read after Organ-Stops And Their Artistic Registration; Names, Forms, Construction, Tonalities, And Offices in Scientific Combination?
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To quickly assess the difficulty of the text, read a short excerpt:
Span. Lleno. — The generic name for all *In our tonal scheme for the Concert-room Organ, the Melodia, 8 ft., is placed in the Ancillary Afirial Organ, where it speaks on wind of i]^ inches. It is, accordingly, available for registration purposes on any manual clavier. See " The Organ of the Twentieth Century." Pages 329 and 33 1- THEIR ARTISTIC REGISTRATION 187 compound harmonic-corroborating stops, applied generally to such stops as are composed of octave- and fifth-sounding ranks of ordi- nar...y open metal labial pipes, and to such compound stops as do not call for any special name indicative of peculiar composition, forma- tion, or intonation. The Mixture may be composed of two or more ranks of pipes, according to the tonal structure or appoint- ment of the division of the Organ in which it is placed. The different pitches of the separate ranks and their breaks are dictated by that tonal structure, and the number and nature of the single harmonic- corroborating stops that are included in the divisional appointment.
What to read after Organ-Stops And Their Artistic Registration; Names, Forms, Construction, Tonalities, And Offices in Scientific Combination?
You can find similar books in the "Read Also" column, or choose other free books by George Ashdown Audsley to read onlineMoreLess
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