Photo Lighting a Treatise On Light And Its Effect Under the Skylight Includin
Photo Lighting a Treatise On Light And Its Effect Under the Skylight Includin
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In our eReader you can find the full English version of the book. Read Photo Lighting a Treatise On Light And Its Effect Under the Skylight Includin Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book Photo Lighting a Treatise On Light And Its Effect Under the Skylight Includin
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1, we have a front view of the face, and it can be seen that the lighting is what is known as bold in its nature. The subject was placed about three feet under the skylight, and we made what we will call a Rembrandt front view of the face. By this we mean there is no touch of light on the shadow side of the face. The camera and the subject were both about eight feet from the side light. Now we would say that this lighting and position of this subject was not the best we could do. The reason is ...this : The line from the nose running down to the corner of the mouth, and the line from the mouth down to the chin, also the line from the inner corner of the eye running down under the eye were all too pronounced. And in trying to make a Rem- brandt lighting front view of the face, we had to turn the head too far away from the side light, which caused us to get the light falling too much from the rear of the subject. This being the case it was impossible to get the light into these lines enough to bring them out properly.
What to read after Photo Lighting a Treatise On Light And Its Effect Under the Skylight Includin?
You can find similar books in the "Read Also" column, or choose other free books by Felix Raymer to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
1, we have a front view of the face, and it can be seen that the lighting is what is known as bold in its nature. The subject was placed about three feet under the skylight, and we made what we will call a Rembrandt front view of the face. By this we mean there is no touch of light on the shadow side of the face. The camera and the subject were both about eight feet from the side light. Now we would say that this lighting and position of this subject was not the best we could do. The reason is ...this : The line from the nose running down to the corner of the mouth, and the line from the mouth down to the chin, also the line from the inner corner of the eye running down under the eye were all too pronounced. And in trying to make a Rem- brandt lighting front view of the face, we had to turn the head too far away from the side light, which caused us to get the light falling too much from the rear of the subject. This being the case it was impossible to get the light into these lines enough to bring them out properly.
What to read after Photo Lighting a Treatise On Light And Its Effect Under the Skylight Includin?
You can find similar books in the "Read Also" column, or choose other free books by Felix Raymer to read onlineMoreLess
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