Portraits of Dante From Giotto to Raffael a Critical Study With a Concise Icon
Portraits of Dante From Giotto to Raffael a Critical Study With a Concise Icon
The book Portraits of Dante From Giotto to Raffael a Critical Study With a Concise Icon was written by author Here you can read free online of Portraits of Dante From Giotto to Raffael a Critical Study With a Concise Icon book, rate and share your impressions in comments. If you don't know what to write, just answer the question: Why is Portraits of Dante From Giotto to Raffael a Critical Study With a Concise Icon a good or bad book?
Where can I read Portraits of Dante From Giotto to Raffael a Critical Study With a Concise Icon for free?
In our eReader you can find the full English version of the book. Read Portraits of Dante From Giotto to Raffael a Critical Study With a Concise Icon Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book Portraits of Dante From Giotto to Raffael a Critical Study With a Concise Icon
In our eReader you can find the full English version of the book. Read Portraits of Dante From Giotto to Raffael a Critical Study With a Concise Icon Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book Portraits of Dante From Giotto to Raffael a Critical Study With a Concise Icon
What reading level is Portraits of Dante From Giotto to Raffael a Critical Study With a Concise Icon book?
To quickly assess the difficulty of the text, read a short excerpt:
1 8, note t.
t In the chapter on ' Andrea detto I'Orcagna, ' in // Libra di Antonio Billi (Strozzi MS, ), we read : ' Andrea di Cione, detto I'Orcagnia. Costuj dipinse la cappella maggiore in Santa Maria Nouella, guasta dal Ghirlandaio, della quale trasse molte belle cose. Dipinse la cappella delli Strozi et [la] tauola in detta chiesa, ' &c. The Petrei MS. Reads : ' Andrea di Cione, detto I'Orgagnia, dipinse la cappella maggiore di Santa Maria Nouella, che le guasto a nostri di il Grillandaio ...et ne trasse di molte belle cose. Guardisi al messo del comune. Dipinse la cappella delli Strozi, ' &c. Frey's ed. 164 ORCAGNA'S MODEL jectures the third seems to me the least plausible ; for ' restorers, ' like scribes, usually normalise extraordinary features and tend to make them commonplace. It is worthy of note that in the sketch by Chambers {ca. 1840) the lips of Orcagna's Dante meet almost evenly, though the lower very slightly recedes. In Giotto's portrait (as copied by Faltoni and Kirkup before Marini's restoration) the lips are normal, but Giotto may have forgotten or effaced a charac- teristic which was probably more pronounced in Dante's last years than in his youth.
What to read after Portraits of Dante From Giotto to Raffael a Critical Study With a Concise Icon?
You can find similar books in the "Read Also" column, or choose other free books by Richard Thayer Holbrook to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
1 8, note t.
t In the chapter on ' Andrea detto I'Orcagna, ' in // Libra di Antonio Billi (Strozzi MS, ), we read : ' Andrea di Cione, detto I'Orcagnia. Costuj dipinse la cappella maggiore in Santa Maria Nouella, guasta dal Ghirlandaio, della quale trasse molte belle cose. Dipinse la cappella delli Strozi et [la] tauola in detta chiesa, ' &c. The Petrei MS. Reads : ' Andrea di Cione, detto I'Orgagnia, dipinse la cappella maggiore di Santa Maria Nouella, che le guasto a nostri di il Grillandaio ...et ne trasse di molte belle cose. Guardisi al messo del comune. Dipinse la cappella delli Strozi, ' &c. Frey's ed. 164 ORCAGNA'S MODEL jectures the third seems to me the least plausible ; for ' restorers, ' like scribes, usually normalise extraordinary features and tend to make them commonplace. It is worthy of note that in the sketch by Chambers {ca. 1840) the lips of Orcagna's Dante meet almost evenly, though the lower very slightly recedes. In Giotto's portrait (as copied by Faltoni and Kirkup before Marini's restoration) the lips are normal, but Giotto may have forgotten or effaced a charac- teristic which was probably more pronounced in Dante's last years than in his youth.
What to read after Portraits of Dante From Giotto to Raffael a Critical Study With a Concise Icon?
You can find similar books in the "Read Also" column, or choose other free books by Richard Thayer Holbrook to read onlineMoreLess
Write Review:
Guest
Read Also
9 / 10
9 / 10
User Reviews: