Pots And Pans Or Studies in Still Life Painting

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Pots And Pans Or Studies in Still Life Painting
A E Arthur Edwin Bye
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He had predecessors, among them being his master Jan Breughel or "Velvet" Breughel, son of the famous Pieter, who, however, did not begin flower painting until 1608, and Ambrosius Bosschaert (Antwerp circa 1565 The Hague 1621) . Breughel's garlands were smooth and hard and stiff; Seghers' flowers were fresh, glisten- ing, delicate in texture, more life-like. Bosschaert's were more in the primitive style of Breughel. A picture of his in The Hague Museum shows a bouquet of flowers in a window ; b...ehind it a landscape. The effect is like glass or enamel.
Breughel and Seghers were led to flower painting by surrounding their portrait medallions of saints and ma- donnas with garlands. It is interesting to notice how this branch of still-life painting, like still-lives of kitchen [71] POTS AND PANS things, began by being subservient to a figure subject. An example of his art in the Antwerp Museum, is en- titled "St. Ignatius, " where the saint, in a tiny medal- lion, is lost behind the gigantic frame of flowers.


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