Rembrandt; a Study of His Life And Work

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The 'Three Crosses' is also so greatly altered in the latest states that some have thought that these are from a different copper, but the alterations seem curiously significant. In the earlier states, though the sides of the print are dark, a stream of light is shed from heaven on the crosses and the central groups. In the midst of this radiance is the form of the Saviour on the tree, Rembrandt's finest version of the theme, where the whole figure seems strained as on the rack, while the head ...still preserves an ineffable dignity. In the altered plate gloom has descended over the whole scene — ' and there was darkness over the land.' When the eye travels from one impression to the other we almost fancy that the artist wished to give the actual movement of events in their successive crises. The extraordinary whirl and riot of the groups in the foreground of the darkened stage might even suggest the idea of the earthquake. The dramatic is carried further here than in almost any of the works of the master.

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