Renaissance And Modern Art
Renaissance And Modern Art
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In our eReader you can find the full English version of the book. Read Renaissance And Modern Art Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book Renaissance And Modern Art
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Let us finally lay especial stress on the revival ot the round arch and the entire abandonment of its pointed form. This again was due to the Roman influence.
In the matter of these various details which specify Re- Fig. 14. — French Renaissance Detail. House of Agnes Sorel, Orleans.
naissance style in architecture, the greatest difficulty of the learner is his great familiarity with their constant repetitions in nineteenth century use. This seems a strange assertion and yet it is strictly true.... It is not always easy to under- stand that with which we are most closely in contact. The constant traditional repetition of Renaissance pediments in furniture, of Renaissance ornamental details in street cars or on silverware, of Renaissaince pediments, ' ' engaged ' columns and entablatures to be everywhere seen on public and private buildings, cultivates a presumption that such details are a necessary feature of our surroundings, a matter-of-course appearance. As now used they have gen- erally lost the artistic quality which they once possessed, The Traits of Renaissance Architecture.
What to read after Renaissance And Modern Art?
You can find similar books in the "Read Also" column, or choose other free books by W H William Henry Goodyear to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
Let us finally lay especial stress on the revival ot the round arch and the entire abandonment of its pointed form. This again was due to the Roman influence.
In the matter of these various details which specify Re- Fig. 14. — French Renaissance Detail. House of Agnes Sorel, Orleans.
naissance style in architecture, the greatest difficulty of the learner is his great familiarity with their constant repetitions in nineteenth century use. This seems a strange assertion and yet it is strictly true.... It is not always easy to under- stand that with which we are most closely in contact. The constant traditional repetition of Renaissance pediments in furniture, of Renaissance ornamental details in street cars or on silverware, of Renaissaince pediments, ' ' engaged ' columns and entablatures to be everywhere seen on public and private buildings, cultivates a presumption that such details are a necessary feature of our surroundings, a matter-of-course appearance. As now used they have gen- erally lost the artistic quality which they once possessed, The Traits of Renaissance Architecture.
What to read after Renaissance And Modern Art?
You can find similar books in the "Read Also" column, or choose other free books by W H William Henry Goodyear to read onlineMoreLess
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