Scientific Basis of Music

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d 5 w ^=^ * Deschanel's " Natural Philosophy," p. 862.
SUMMATIONAL TONES.
47 79. The summational tones are weaker, and by their nature always higher than their generators. The following is the series for the simple interval : — Major Major Minor Minor Octave Fifth Fourth sixth third third sixth I JliJ-^-t ^ w ?5= P In the last two cases the summation note is intermediate between those given. Many of them are very inharmonic to their generators. Fortunately they are very weak, and only dis- tinc
...t on the siren.
80. Difference tones were formerly thought to be subjective, and produced in the ear itself, and were supposed to result from the coalescence of beats. This explanation, however, does not account for summation tones ; and, moreover, the objective exist- ence of such sounds may be proved by consonant membranes or resonators. In some cases beats and difference tones can both be heard simultaneously. Beats may occur between resultant tones.
Differentials and Upper Partials of Intervals.* I Octave 2 : I ^4 Fifth 3 : 2 # Fourth Major third 4:3 5:4 i g i IE X V ~g?


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