Seven Angels of the Renascence the Story of Art From Cimabue to Claude

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It is the Venice of Italy. All that is beautiful in the eyes of the painter is still there ; all that is dear to the poet is to be remembered of her. But the glory which streams along the heights of blue Friuli's mountains is no longer a dying glory, but a living. For the sons of Italy are once more united and strong. How then can it be otherwise with her daughters than that they shall be happy and safe ?
139 RAPHAEL LA MADRE. But the child? Why must you paint the child? It is my portrait only
...that my husband desires.
RAPHAEL / must paint the child because of the Angel.
PLATE XXV. FROM THE PAINTING IN THE PITTI PALACE RAPHAEL j ND now we come to thejyoungsters of [the group. Are not three old men suf- ficient in a little company of five ? Raphael did not live to grow old nor did Correggio. If we compare the period of the Re- nascence of Art with the ordinary course of a natural year, from January to December, it is as though Leonardo Da Vinci had been the first to break the frozen earth ; that in March Angelo and Titian had been sent to sow the seed with him ; that Raphael and Correggio had come with the 143 RAPHAEL flowers in May and in August and September had carried away their sheaves rejoicing ; that Da Vinci had died during the harvest ; and that Angelo and Titian had lingered through the golden Autumn, till the fields were dark, and the earth once more frozen with the closing of the year.


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