Shakespearean And Other Papers
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So close is the connection that a recent editor (Donovan) ends the first play prematurely and places the concluding portion of the last scene as the beginning of the Second Part. It is the figure of Margaret, amid the jarring contentions of parties, that moves sombrely through the four plays and binds the first tetralogy into a single whole — one ultimate consistent conception, though of unequal execution. Unhistorically, but poetically enough, the wooing of Margaret by Suffolk is placed near t...he close of the First Part of Henry VI and prepares for Parts II and III. Unhistorically again, the figure of Margaret appears in the fourth play, in Richard III, like a weird figure of Fate, proclaiming curses and vengeance.
Not that the whole plan was seen from the beginning. It gradually grew out of the material at hand. Part I pre- pared for Parts II and III; Parts II and III are intimately connected; and Richard III completed Part III. Or there may have been a different order of writing. So specifically does I prepare for II and III in certain particulars that it is conceivable that I was written after II and that III had EPISODES IN SHAKESPEARE'S / HENRY VI 89 been already planned.
What to read after Shakespearean And Other Papers?
You can find similar books in the "Read Also" column, or choose other free books by John Bell Henneman to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
So close is the connection that a recent editor (Donovan) ends the first play prematurely and places the concluding portion of the last scene as the beginning of the Second Part. It is the figure of Margaret, amid the jarring contentions of parties, that moves sombrely through the four plays and binds the first tetralogy into a single whole — one ultimate consistent conception, though of unequal execution. Unhistorically, but poetically enough, the wooing of Margaret by Suffolk is placed near t...he close of the First Part of Henry VI and prepares for Parts II and III. Unhistorically again, the figure of Margaret appears in the fourth play, in Richard III, like a weird figure of Fate, proclaiming curses and vengeance.
Not that the whole plan was seen from the beginning. It gradually grew out of the material at hand. Part I pre- pared for Parts II and III; Parts II and III are intimately connected; and Richard III completed Part III. Or there may have been a different order of writing. So specifically does I prepare for II and III in certain particulars that it is conceivable that I was written after II and that III had EPISODES IN SHAKESPEARE'S / HENRY VI 89 been already planned.
What to read after Shakespearean And Other Papers?
You can find similar books in the "Read Also" column, or choose other free books by John Bell Henneman to read onlineMoreLess
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