Shakespearean Tragedy; Lectures On Hamlet, Othello, King Lear, Macbeth

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2 Is it not possible that ' mobled queen,' to which Hamlet seems to object, and which Polonius praises, is meant for an example of the second fault of affected phraseology, from which the play was said to be free, and an instance of which therefore surprises Hamlet ?
NOTES ON HAMLET 415 player (iii. ii.) is on precisely the same lines. He is to play to the judicious, not to the crowd, whose opinion is worthless.
He is to observe, like the author of Aeneas' speech, the ■ modesty ' of nature. He
...must not tear a " passion ' to tatters, to spUt the ears of the incompetent, but in the very tempest of passion is to keep a temperance and smoothness. The million, we gather from the first passage, cares nothing for construction; and so, we learn in the second passage, the barren spectators want to laugh at the clown instead of attending to some neces- sary question of the play. Hamlet's hatred of exaggeration is marked in both passages. And so (as already pointed out, p. 133) in the play-scene, when his own lines are going to be delivered, he impatiently calls out to the actor to leave his damnable faces and begin ; and at the grave of Ophelia he is furious with what he thinks the exaggeration of Laertes, bur- lesques his language, and breaks off with the words.

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