Shakespeares Plots a Study in Dramatic Construction

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F*or that purpose she assumes a male attire, and does so seriously, and also with glee: I '11 hold thee any wager, When we are both accoutred like young men, I '11 prove the prettier fellow of the two, The Merchant of Venice 209 And wear my dagger with the braver grace, And speak between the change of man and boy With a reed voice, and turn two mincing steps Into a manly stride, and speak of frays Like a fine bragging youth, and tell quaint lies, How honourable ladies sought my love, Which I de...nying, they fell sick and died.
And as long as she is disguised, while she is mirth- ful, she is earnest; while noble and gracious she possesses an exhilarating sense of fun ; above all, she is a true woman.
In nothing does Shakespeare manifest the perfec- tion of his art more than in his portraiture of woman. He never created a masculine woman. Such are unnatural, abnormal. This is tacitly ac- knowledged in the old legend of the Amazons. They are generally located in the vicinity . . . Of the Cannibals that each other eat, The Anthropophagi, and men whose heads Do grow beneath their shoulders, the philosophy of which, according to Bacon, is, where women unsex themselves and become and act like men, men will be monsters.


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