Some Commentaries On the Teaching of Pianoforte Technique a Supplement to the
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To quickly assess the difficulty of the text, read a short excerpt:
Again, certain scale rushes may sometimes be appro- priately executed with a forced finger-action a similar slight forearm drive forcing the fingers to an exceptional effort.
One might instance the two scales in the Coda of Chopin's G minor Ballade, or those in Brahms' B minor Rhapsody. But such forced touch can only be applied provided the 1 A "cheap and nasty" form of key mis-attack, actually insisted upon by some teachers (?) incredible though this may seem to any one possessing any musical ...ear.
THE USE OF BAD TOUCH-FORMS. 19 scale or passage does not turn back on itself. In other climax- passages the hybrid second-third Species with its freely vibrating arm must suffice, and does suffice for instance, the passages occurring in the last three lines of Chopin's A flat Ballade.
NOTE VI "FLAT" v. "BENT" FINGER TONE LIMITS The remarks as to the tone-limits of "Flat" finger on page 224, on page 225 with its Note, and on page 228, etc. , of the "Act of Touch' 1 must not be misconstrued.
A very strong-fingered player may employ flat finger even in running passage-work requiring a very considerable amount of tone.
What to read after Some Commentaries On the Teaching of Pianoforte Technique a Supplement to the?
You can find similar books in the "Read Also" column, or choose other free books by Tobias. Matthay to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
Again, certain scale rushes may sometimes be appro- priately executed with a forced finger-action a similar slight forearm drive forcing the fingers to an exceptional effort.
One might instance the two scales in the Coda of Chopin's G minor Ballade, or those in Brahms' B minor Rhapsody. But such forced touch can only be applied provided the 1 A "cheap and nasty" form of key mis-attack, actually insisted upon by some teachers (?) incredible though this may seem to any one possessing any musical ...ear.
THE USE OF BAD TOUCH-FORMS. 19 scale or passage does not turn back on itself. In other climax- passages the hybrid second-third Species with its freely vibrating arm must suffice, and does suffice for instance, the passages occurring in the last three lines of Chopin's A flat Ballade.
NOTE VI "FLAT" v. "BENT" FINGER TONE LIMITS The remarks as to the tone-limits of "Flat" finger on page 224, on page 225 with its Note, and on page 228, etc. , of the "Act of Touch' 1 must not be misconstrued.
A very strong-fingered player may employ flat finger even in running passage-work requiring a very considerable amount of tone.
What to read after Some Commentaries On the Teaching of Pianoforte Technique a Supplement to the?
You can find similar books in the "Read Also" column, or choose other free books by Tobias. Matthay to read onlineMoreLess
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