Studies in English Art

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A little water-colour lately bought for the National Gallery of Dublin is a wonderful union of simple story-telling with excellent painting. It is a kitchen or a cottage interior, sunny with the light of afternoon, and tidy with the tidiness of Sunday afternoon. The one occupant, a rosy girl with warm-coloured hair, has been trying to read a good book in the sunshine and the stillness, and has suc- cumbed to both — the warm head has dropped aside in unmistakable slumber. The scene is perfectly
...painted, the story perfectly told.
But such painter's quality as we see in this, or even such painter's quality as we see in the best hawthorn sprays, the best bird's- EUNT AND PROUT. 161 nests, the best plums or quinces, is not shown always ; and extremest praise of the still-life of Hunt implies injustice to more than one other painter, and notably, to Chardin. The still-life of Ghardin is painted never less per- fectly than Hunt's; the elaboration of it is never visible ; for want of a better expression I must say that it is artistically, that it is largely done.


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