Talks in My Studio the Art of Seeing Facts And Fancies About Art Pictures to
The book Talks in My Studio the Art of Seeing Facts And Fancies About Art Pictures to was written by author Here you can read free online of Talks in My Studio the Art of Seeing Facts And Fancies About Art Pictures to book, rate and share your impressions in comments. If you don't know what to write, just answer the question: Why is Talks in My Studio the Art of Seeing Facts And Fancies About Art Pictures to a good or bad book?
Where can I read Talks in My Studio the Art of Seeing Facts And Fancies About Art Pictures to for free?
In our eReader you can find the full English version of the book. Read Talks in My Studio the Art of Seeing Facts And Fancies About Art Pictures to Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book Talks in My Studio the Art of Seeing Facts And Fancies About Art Pictures to
In our eReader you can find the full English version of the book. Read Talks in My Studio the Art of Seeing Facts And Fancies About Art Pictures to Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book Talks in My Studio the Art of Seeing Facts And Fancies About Art Pictures to
What reading level is Talks in My Studio the Art of Seeing Facts And Fancies About Art Pictures to book?
To quickly assess the difficulty of the text, read a short excerpt:
CHAPTER IV.
ON MIXING COLORS, WITH A LIST OF USEFUL COMBINATIONS.
ALWAYS have regard to the extent or quantity of the wash required, then place in your palette the necessary quantity of water, to which you will add the color or colors until the requisite degree of strength is obtained; by this means uniformity of tone is secured; and here must be reiterated the instruction to be careful in seeing that all the color is discharged from the brush, or the result will be blotches as the brush is app...lied to the paper. In mixing color for dark, small markings, do not use much water, but use the brush saturated only at its point; by this means the color can be applied strong and crisp, which is essential in the foreground detail. In taking the color from the pans, see that your brush is moist only, not full of water, for if it is, you will waste much of your pigments, and your box will too speedily require replenishing. When two tints have to be blended, it is not necessary to use two brushes, indeed, it will be found advantageous to use the same brush; having both tints ready prepared, dip the brush into the second tint and apply it to the lower edge of the first wash; the point of unison will be less perceptible than if two brushes are used.
What to read after Talks in My Studio the Art of Seeing Facts And Fancies About Art Pictures to?
You can find similar books in the "Read Also" column, or choose other free books by John Ivey to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
CHAPTER IV.
ON MIXING COLORS, WITH A LIST OF USEFUL COMBINATIONS.
ALWAYS have regard to the extent or quantity of the wash required, then place in your palette the necessary quantity of water, to which you will add the color or colors until the requisite degree of strength is obtained; by this means uniformity of tone is secured; and here must be reiterated the instruction to be careful in seeing that all the color is discharged from the brush, or the result will be blotches as the brush is app...lied to the paper. In mixing color for dark, small markings, do not use much water, but use the brush saturated only at its point; by this means the color can be applied strong and crisp, which is essential in the foreground detail. In taking the color from the pans, see that your brush is moist only, not full of water, for if it is, you will waste much of your pigments, and your box will too speedily require replenishing. When two tints have to be blended, it is not necessary to use two brushes, indeed, it will be found advantageous to use the same brush; having both tints ready prepared, dip the brush into the second tint and apply it to the lower edge of the first wash; the point of unison will be less perceptible than if two brushes are used.
What to read after Talks in My Studio the Art of Seeing Facts And Fancies About Art Pictures to?
You can find similar books in the "Read Also" column, or choose other free books by John Ivey to read onlineMoreLess
Write Review:
Guest
Read Also
10 / 10
4 / 10
User Reviews: