Talma On the Actor's Art

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Thus Le Kain, often fatigued in long and arduous scenes, took care to conceal from the public the violence of his efforts, and at the very moment when his powers, were nearly ex- hausted they seemed to possess all their strength and vigour.
Le Kain has been reproached for having been heavy inhis recitation. This defect was natural. He was slow, calm, and- reflecting. Besides, Voltaire, whose actor he pecuHarly was, would not, perhaps, have readily consented to sacrifice the pomp and harmony of
...his verse to a naore natural-tone.
He wished him to be energetic, and as he had decked out tragedy a little the actor was obliged to follow in the track of the poet. Again, during the time of Le Kain, a period so brilliant from the genius of its writers and philosophers, all the arta of imitation fiad fallen into a false and mannered t^t6, and Le Kain, perhaps, thought himself sufficiently rich in all his gifts and attainments to make a slight concession to the bad taste of his day. Yet his style, at first slow and cadenced, by degrees became animated, and from the moment he gained the high region of passion he astonished by his sublimity.


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