Textiles for Commercial Industrial And Domestic Arts Schools Also Adapted to
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2. Rolls or cylinders upon which ploth is wound.
3. Cloth leaving dye tub being wound upon No. 2 cylinder.
identical in depth of color, tone, and brightness. In some cases it is possible to dye a mixed fabric at a single operation, but the usual process is to dye the wool in yarn state and then dye the warp a color as near the color of the wool as possible. In the weaving operation the wool is thrown to the surface. In another method the warp is dyed and woven with a white wool or 68 TEXTILES w...orsted filling, and dyed in the piece with a dyestuff that will not affect the cotton. In this way the cotton does not take the wool dye, but retains its original color. This class of work is generally used in mohair, alpaca, and luster fabrics, because the natural brilliancy of the luster wool, alpaca, or mohair in the filling is not impaired as would be the case if the cotton in the goods were subjected to a cotton-dye bath after being woven. The principal cloths in this classification are cotton, warp figured melroses, Florentines, glaces, brilliantines, lusters, alpacas, and mohairs; rainproof cloths, and fancy waistings, and in these may be found the same great variety of weaves and patterns that is to be found in the piece-dyed goods already described.
What to read after Textiles for Commercial Industrial And Domestic Arts Schools Also Adapted to?
You can find similar books in the "Read Also" column, or choose other free books by William H William Henry Dooley to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
2. Rolls or cylinders upon which ploth is wound.
3. Cloth leaving dye tub being wound upon No. 2 cylinder.
identical in depth of color, tone, and brightness. In some cases it is possible to dye a mixed fabric at a single operation, but the usual process is to dye the wool in yarn state and then dye the warp a color as near the color of the wool as possible. In the weaving operation the wool is thrown to the surface. In another method the warp is dyed and woven with a white wool or 68 TEXTILES w...orsted filling, and dyed in the piece with a dyestuff that will not affect the cotton. In this way the cotton does not take the wool dye, but retains its original color. This class of work is generally used in mohair, alpaca, and luster fabrics, because the natural brilliancy of the luster wool, alpaca, or mohair in the filling is not impaired as would be the case if the cotton in the goods were subjected to a cotton-dye bath after being woven. The principal cloths in this classification are cotton, warp figured melroses, Florentines, glaces, brilliantines, lusters, alpacas, and mohairs; rainproof cloths, and fancy waistings, and in these may be found the same great variety of weaves and patterns that is to be found in the piece-dyed goods already described.
What to read after Textiles for Commercial Industrial And Domestic Arts Schools Also Adapted to?
You can find similar books in the "Read Also" column, or choose other free books by William H William Henry Dooley to read onlineMoreLess
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