The Art of Elocution As An Essential Part of Rhetoric: With Instructions in ...

Cover The Art of Elocution As An Essential Part of Rhetoric: With Instructions in ...
The Art of Elocution As An Essential Part of Rhetoric: With Instructions in ...
George Vandenhoff
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How many thousands of my poorest subjects Are at this hoar asleep I O Sleep, O gentle Sleej^ Kature's soft nurse, how have I frighted thee, That thou no more wilt weigh my eyelids down, And steep my senses in forgetfulness I Why rather. Sleep, liest thou in smoky cribs, Upon uneasy pallets stretching thee, And hush*d with buzzing night-flies to thy slumber.
Than in the perfumed chambers of the great, Under the canopies of costly state.
And luird with sounds of sweetest melody?
Oh thou dull god,
... why liest thou with the vile.
In loathsome beds; and leav*6t the kingly couch, A watch-case, or a common 'larum-bell ?
Wilt thou, upon the high and giddy mast.
Seal up the ship-boy*s eyes, and rock his braini* In cradle of the rude, imperious surge.
And in the visitation of the winds.
Who take the ruffian billows by the top, Curling their monstrous heads, and hanging them With deafning clamours in the slippery shrouds That, with the burly, death itself awakes?
Canst thou,0 partial Sleep! give thy repose To the wet sea-boy in an hour so rude; M8 APPfcKnnL And, in tbe calmest and most stillest i^hL With all appliances and means to boot, Denjr it to a king?


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