The Art of Illuminating As Practised in Europe From the Earliest Times
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In our eReader you can find the full English version of the book. Read The Art of Illuminating As Practised in Europe From the Earliest Times Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book The Art of Illuminating As Practised in Europe From the Earliest Times
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The greatest care must be taken to have every implement perfectly clean. Experience alone can teach the artist the value of what are called glazing or transparent colours, such as the lakes, carmine, madders, gamboge, &c. Some tints may be used either as glazing colours or as body-tints, according to their preparation^ and according to the degree of thickness with which they are applied. As a general principle, all shades should be painted in transparent colour, all lights in opaque. Reflected ...lights may often be best given by scumbling thin body-colour over transparent shade. In order to prepare the tints for these operations, it may be well to use a little of Newman's or Miller's preparations with them. The less tints are retouched after the first application, the more clear and brilliant they are likely to remain. Above all things never let the paint-brush go near the mouth, and never attempt to correct or retouch a tint while it is in process of drying, as doing so will infaUibly make it look streaky and muddy.
What to read after The Art of Illuminating As Practised in Europe From the Earliest Times?
You can find similar books in the "Read Also" column, or choose other free books by W R William Robert Tymms to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
The greatest care must be taken to have every implement perfectly clean. Experience alone can teach the artist the value of what are called glazing or transparent colours, such as the lakes, carmine, madders, gamboge, &c. Some tints may be used either as glazing colours or as body-tints, according to their preparation^ and according to the degree of thickness with which they are applied. As a general principle, all shades should be painted in transparent colour, all lights in opaque. Reflected ...lights may often be best given by scumbling thin body-colour over transparent shade. In order to prepare the tints for these operations, it may be well to use a little of Newman's or Miller's preparations with them. The less tints are retouched after the first application, the more clear and brilliant they are likely to remain. Above all things never let the paint-brush go near the mouth, and never attempt to correct or retouch a tint while it is in process of drying, as doing so will infaUibly make it look streaky and muddy.
What to read after The Art of Illuminating As Practised in Europe From the Earliest Times?
You can find similar books in the "Read Also" column, or choose other free books by W R William Robert Tymms to read onlineMoreLess
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