The Art of Landscape Painting in Oil Colours

Cover The Art of Landscape Painting in Oil Colours
The Art of Landscape Painting in Oil Colours
[williams, W.] Artist. [from Old Catalog]
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Consider well and long, before using the pencil for this purpose ; for these isolated touches must be made with freedom and decision, or they fail in producing the desired effect. They should be of a warm tone — not cold, not gray ; and the tints used for this purpose may be, as occasion may require, either lighter or darker than the parts to which they are applied. Recourse is generally had to smaller brushes, in effecting this object.
In this stage of the work, do not attempt too much at one
...sitting, as, by proceeding too far, the tints laid by scumbling and glazing interfere with each other ; and the eye, by coming more frequently to this important duty of Digitized by LiOOQ IC COLOUES AND TINTS. 47 judging the work, is better capable of seeing where the necessary touches are most required. It is, in fact, best to allow the colours to drj gently, and to repeat the operations when necessary.
Lastly ; a mode of aiding the finish is, by passing over a portion of the work with light delicate tones, which are left only on the projecting touches of texture objects.


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