The Art of Story-Writing
The Art of Story-Writing
The book The Art of Story-Writing was written by author Here you can read free online of The Art of Story-Writing book, rate and share your impressions in comments. If you don't know what to write, just answer the question: Why is The Art of Story-Writing a good or bad book?
Where can I read The Art of Story-Writing for free?
In our eReader you can find the full English version of the book. Read The Art of Story-Writing Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book The Art of Story-Writing
In our eReader you can find the full English version of the book. Read The Art of Story-Writing Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book The Art of Story-Writing
What reading level is The Art of Story-Writing book?
To quickly assess the difficulty of the text, read a short excerpt:
It would become most tiresome to record cM of the happenings of a single day, be that day as dra- matically exciting as it might be. The most extreme realist draws a discreet veil over the dull routine of shoe- shining, and hair-brushing, and hand-cleansing, and banal street-car conversation. He chooses and arranges so as to seem to be telling all in a natural order, yet all the while artfully subdues the tmimportant so as to lead up to the points of major interest.
(c) The EFFECT of a plot is ...its reason for being, hence everything in the arrangement must cast a shrewd look toward what that effect (on the reader) is going to be, and further constant and equally acute glances at all the schemes you adopt to bring out the effect most strongly, pleasingly, surprisingly — or whatever may be yoiu: object.
(d) A plot must feature a crisis in the life of the chief character in the story. "A mere chain of happenings which do not involve some change or threatened change in the Digitized by Google 148 THE ART OF STORY-WRITING character, the welfare, the destinies of the leading 'people/ would not form a plot.
What to read after The Art of Story-Writing?
You can find similar books in the "Read Also" column, or choose other free books by J Berg Joseph Berg Esenwein to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
It would become most tiresome to record cM of the happenings of a single day, be that day as dra- matically exciting as it might be. The most extreme realist draws a discreet veil over the dull routine of shoe- shining, and hair-brushing, and hand-cleansing, and banal street-car conversation. He chooses and arranges so as to seem to be telling all in a natural order, yet all the while artfully subdues the tmimportant so as to lead up to the points of major interest.
(c) The EFFECT of a plot is ...its reason for being, hence everything in the arrangement must cast a shrewd look toward what that effect (on the reader) is going to be, and further constant and equally acute glances at all the schemes you adopt to bring out the effect most strongly, pleasingly, surprisingly — or whatever may be yoiu: object.
(d) A plot must feature a crisis in the life of the chief character in the story. "A mere chain of happenings which do not involve some change or threatened change in the Digitized by Google 148 THE ART OF STORY-WRITING character, the welfare, the destinies of the leading 'people/ would not form a plot.
What to read after The Art of Story-Writing?
You can find similar books in the "Read Also" column, or choose other free books by J Berg Joseph Berg Esenwein to read onlineMoreLess
Write Review:
User Reviews: