The Art of the Italian Renaissance; a Handbook for Students And Travellers
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In our eReader you can find the full English version of the book. Read The Art of the Italian Renaissance; a Handbook for Students And Travellers Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book The Art of the Italian Renaissance; a Handbook for Students And Travellers
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To quickly assess the difficulty of the text, read a short excerpt:
There is no exchange of rings, but the bridegroom holds out to the bride a ring, in which she places her finger. The Priest holds the wrists of both and joins their hands. The minute detail of the procedure presented great difficulties to the artist. It is necessarv to look verv closely into Perugino^s picture to discover the real meaning of the act. Raphael has here worked independently. He places ]Marv and Joseph farther apart and alters their attitudes. Joseph has already made his gesture an...d the ■ ring has been brought into the middle of the picture. It is Mary's turn to act, and the attention of the spectator is directed to the movement of her right arm. This arm forms the real centi'e of action in the group, and the reason why Raphael alteredjthe position of the figures is easily under- stood. He wanted to display -the important^ lijrib in the front of jthe^ pic±urejmdj.mcovered- Noi' is this all : the direction of the movement is now taken up by the Priest who guides ]Mary's hand, and instead of stand- ing as in Perugino''s painting, a stiff' central line, follows the action with his whole person.
What to read after The Art of the Italian Renaissance; a Handbook for Students And Travellers?
You can find similar books in the "Read Also" column, or choose other free books by Sir Walter Armstrong to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
There is no exchange of rings, but the bridegroom holds out to the bride a ring, in which she places her finger. The Priest holds the wrists of both and joins their hands. The minute detail of the procedure presented great difficulties to the artist. It is necessarv to look verv closely into Perugino^s picture to discover the real meaning of the act. Raphael has here worked independently. He places ]Marv and Joseph farther apart and alters their attitudes. Joseph has already made his gesture an...d the ■ ring has been brought into the middle of the picture. It is Mary's turn to act, and the attention of the spectator is directed to the movement of her right arm. This arm forms the real centi'e of action in the group, and the reason why Raphael alteredjthe position of the figures is easily under- stood. He wanted to display -the important^ lijrib in the front of jthe^ pic±urejmdj.mcovered- Noi' is this all : the direction of the movement is now taken up by the Priest who guides ]Mary's hand, and instead of stand- ing as in Perugino''s painting, a stiff' central line, follows the action with his whole person.
What to read after The Art of the Italian Renaissance; a Handbook for Students And Travellers?
You can find similar books in the "Read Also" column, or choose other free books by Sir Walter Armstrong to read onlineMoreLess
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