The Art of the Musician: a Guide to the Intelligent Appreciation of Music

Cover The Art of the Musician: a Guide to the Intelligent Appreciation of Music
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Examples 65 and 66 afford a simple illustration from Beetho- ven's Sonata in E flat, Op. 31, No. 3, first move- ment, where a single germ gives origin to the whole passage; and one slightly more complex from the same master's Sonata in G, Op. 31, No.
1, first movement, where two germs, one of two measures, marked a), and the other of one meas- ure, marked b), give origin to the passage.
The rhythm of the melody (left hand part) of the first measure of Ex. 66 is imitated in the THEMATIC DEVELOPM
...ENT 155 Ex. 65 Allegro i tr Beethoven, Op. 31, No. 3 ir ^ tr tr =F*:fF# ^^^ ^ ^ 9=^ i^S 9id7-g^=^=^[ =H^- -> — V- tr tr tr 9z^ ^^l|~^ ^ :^= * ^5^^^^ ^- Ex. 66 Allegro vivace Beethoven, Op. 31, No. 1 ^ :: ^^iiiT-i -j— hW^ - I i i "I' - l I i hF I i I "j iJrtTJ:: a) 156 THE ART OF THE MUSICIAN i fe^E^ ^m^m i^^m tr-* gg^ ^ i i -c — ^- w 5-r-N- 3i^ SeS^EH?
lEtSEE f»- B^^^ SL*Jt r r f^F^^^*^fe^EE^#^^^ ^F^^^J f^^^^^g ere*.
iff .^__^__M__f: i* ^[^a * THEMATIC DEVELOPMENT 157 _n*^ i J I I I i : i I i , 11 , m M • on ai ■¥^ third, fifth, sixth, seventh, eighth, and later meas- ures ; and the design itself is a free imitation of the striking rhythm of the first measure of the sonata.


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