The Art of the Netherland Galleries Being a History of the Dutch School of Pai

Cover The Art of the Netherland Galleries Being a History of the Dutch School of Pai
The Art of the Netherland Galleries Being a History of the Dutch School of Pai
Preyer, David Charles, 1861-
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He is equally convincing where he abandons these opposing lights and gives full sway to his glorious sunlight as it bathes house- fronts and courtyards. No one else ever painted sunlight with such brilliancy, such glow, such daz- zling effect, such a resplendent stream which trans- forms and glorifies all.
We must also admire the vibrant harmony of his colouring, the unobtrusive placing of his figures, so that the scene always breathes a sentiment of peace, tranquillity, refinement and domestic
...ity. But we will always come back to his unparalleled pic- torial expression of the subtleties of sunshine.
Where de Hooch learned his jugglery with sun- rays we know not. He is classed as a pupil of Rembrandt, because their light theories are the same in principle, no matter how diverging in practice. Whether he studied the mysteries of light in Rembrandt's own studio or at second hand with Fabricius, who first taught him in Delft, can- not be ascertained. For all we know of him is the year of his birth, but not its place, and that from 1655 to '58 he lived in Delft, where he was inscribed a member of the Guild of St.


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