The Art of the Vienna Galleries
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In our eReader you can find the full English version of the book. Read The Art of the Vienna Galleries Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book The Art of the Vienna Galleries
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His last period coincides with his residence in England, when his portraiture, to which he had already devoted considerable time, engrossed him almost completely, and gave him his greatest fame.
The magnificent "Holy Family" (No. 1047) belongs to the early Rubens period; as does the no Ubc Hrt ot tbe Dtenna Galleries " Crucifixion " (No. 1033), which has noble pathos. Less dramatic than his master's are van Dyck's passion scenes. The '' Pieta " (No. 1051) has a gentler spirit, deeper feeling of... sorrow, more spir- ituality, if less force, than the work of Rubens. This lack of exuberant strength is also manifest in the only mythological presentation we have here by van Dyck, his " Venus in Vulcan's Smithy " (No. 1035), where the goddess receives armour and weapons for Aeneas. No. 1043 is a para- phrase of one of Rubens' own compositions, and shows the struggle between Samson and the Philis- tines, after Delilah has taken his strength from him.
Most of van Dyck's Madonnas belong to his second period.
What to read after The Art of the Vienna Galleries?
You can find similar books in the "Read Also" column, or choose other free books by Preyer, David Charles, 1861- to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
His last period coincides with his residence in England, when his portraiture, to which he had already devoted considerable time, engrossed him almost completely, and gave him his greatest fame.
The magnificent "Holy Family" (No. 1047) belongs to the early Rubens period; as does the no Ubc Hrt ot tbe Dtenna Galleries " Crucifixion " (No. 1033), which has noble pathos. Less dramatic than his master's are van Dyck's passion scenes. The '' Pieta " (No. 1051) has a gentler spirit, deeper feeling of... sorrow, more spir- ituality, if less force, than the work of Rubens. This lack of exuberant strength is also manifest in the only mythological presentation we have here by van Dyck, his " Venus in Vulcan's Smithy " (No. 1035), where the goddess receives armour and weapons for Aeneas. No. 1043 is a para- phrase of one of Rubens' own compositions, and shows the struggle between Samson and the Philis- tines, after Delilah has taken his strength from him.
Most of van Dyck's Madonnas belong to his second period.
What to read after The Art of the Vienna Galleries?
You can find similar books in the "Read Also" column, or choose other free books by Preyer, David Charles, 1861- to read onlineMoreLess
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