The Basis of Musical Pleasure Together With a Consideration of the Opera Proble
The Basis of Musical Pleasure Together With a Consideration of the Opera Proble
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In our eReader you can find the full English version of the book. Read The Basis of Musical Pleasure Together With a Consideration of the Opera Proble Online - link to read the book on full screen. Our eReader also allows you to upload and read Pdf, Txt, ePub and fb2 books. In the Mini eReder on the page below you can quickly view all pages of the book - Read Book The Basis of Musical Pleasure Together With a Consideration of the Opera Proble
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The various factors of mind and music not only match each other individually, j but also in their totality and interconnection. ! To begin at the bottom, we find vibrations similarly underlying both sets of phenomena: in both they form the physical substratum, \ 1/ imperceptible to the listening and thinking individual. Approaching the threshold of consciousness, we are confronted with the musical overtones and their mental analogues, the inseparaVjle associations of our ideas. Here, also, the ...relation to the centre of atten- io8 The Basis of Musical Pleasure tion is the same : both the overtones and the associations fail to impress us separately, but merely suffuse the elements of which we are distinctly conscious. Harmony signalises an emergence from the depths of the subcon- scious, answering to the fringe-like shadings of meaning which perceptibly qualify our ideas. Rhythm, too, vacillates about the threshold of perception, being taken up in a semi-conscious manner, like the motions of breathing and walking.
What to read after The Basis of Musical Pleasure Together With a Consideration of the Opera Proble?
You can find similar books in the "Read Also" column, or choose other free books by Gehring, Albert, 1870- to read onlineMoreLess
To quickly assess the difficulty of the text, read a short excerpt:
The various factors of mind and music not only match each other individually, j but also in their totality and interconnection. ! To begin at the bottom, we find vibrations similarly underlying both sets of phenomena: in both they form the physical substratum, \ 1/ imperceptible to the listening and thinking individual. Approaching the threshold of consciousness, we are confronted with the musical overtones and their mental analogues, the inseparaVjle associations of our ideas. Here, also, the ...relation to the centre of atten- io8 The Basis of Musical Pleasure tion is the same : both the overtones and the associations fail to impress us separately, but merely suffuse the elements of which we are distinctly conscious. Harmony signalises an emergence from the depths of the subcon- scious, answering to the fringe-like shadings of meaning which perceptibly qualify our ideas. Rhythm, too, vacillates about the threshold of perception, being taken up in a semi-conscious manner, like the motions of breathing and walking.
What to read after The Basis of Musical Pleasure Together With a Consideration of the Opera Proble?
You can find similar books in the "Read Also" column, or choose other free books by Gehring, Albert, 1870- to read onlineMoreLess
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