The Bickford Mandolin Method volume 1

Cover The Bickford Mandolin Method volume 1
The Bickford Mandolin Method volume 1
Zarh Myron Bickford
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For Sale Melody ^' '''''' ^'"■'''■• (Key of A Minor) -^ n A j^. I jf^] \ ] rj^rj | J J J J i j jjj J Nrr # iS ^^ n A n A n.
I n /^ I I i ^ ^ y^=g u «=» # "^rin A n * r i ^crrr ir rrrr^to ^J^ ^ i i ^^ 21735-70 Ti^-r— T-f-. — ^ -p-TP'Tn TTi5'p SUV 38 Key Sig^natures There are as many keys as there are chromatic tones in the scale -twelve, and each of these keys is distinguished by a sign or signature, consisting" of sharps or flats placed at the beginn- ing of the staff, immediately after the cle
...f sign. The key of C (and its relative-A minor, ) in which all the Studies and Exercises have been thus far, is called the natural key, since no sharps nor flats are required to represent its tones, nor, on the piano, anything but the white keys. The scale of C is taken as a model or standard for all other scales, the same order of steps and half steps being followed, no matter what tone maybe taken as the starting point or key- tone. Thus it fol- lows that when the scale is started on G-, it becomes necessary to sharp the F, in order to bring a whole stop between the sixth and seventh and a half step between the seventh and eighth tones of the scale.

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