The Cathedral Church of Chester; a Description of the Fabric And a Brief History of the Episcopal See 7

Cover The Cathedral Church of Chester; a Description of the Fabric And a Brief History of the Episcopal See 7
The Cathedral Church of Chester; a Description of the Fabric And a Brief History of the Episcopal See 7
Charles Hiatt
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The body of the candelabrum was therefore re- moved, and only a fragment, in the shape of a Latin cross, is remaining, and this, it must be confessed, is too small to be really imposing.
The Choir Screen.— Sir Gilbert Scott, no less than Wyatt, whose mutilation at Salisbury is notorious, was fascinated by the prospect of obtaining an open view from end to end of a great church. It must be admitted, however, that in order to achieve his object, Sir Gilbert did not condescend to the radical tacti
...cs of his predecessor in the business of restoration. Sir Gilbert's Chester screen is a performance upon which he is sincerely to be congratulated. It divides, though it does not separate, the choir from the body of the cathedral, and forms no unworthy introduction to the choir of which it is the entrance. It is far more in keeping with Chester Cathedral than a metal Skidmore screen, such as we find at Salisbury and Hereford, would have been. The material used is English oak. In the centre is a cluster of organ pipes which are an intrinsic part of the great general organ, with which they are connected by tubular The Cathedral — Interior, 49 pneumatic action.

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